FM Poble-Sec: SVSTO + Endora y Sus Vicios

SVSTO is the musical project of Carla Parmenter who, alongside producer Alejandro Da Rocha, seeks to create a dark yet danceable sound, featuring biting lyrics centered on the experience of being young in 21st-century Europe, moving from CRISIS TO CRISIS.

Svsto’s imagery is shaped by the industrial estates, factories, and vacant lots so familiar from her native Vallès Oriental, elevated by an ironic glow-up that mixes industrial landscapes with a glam aesthetic.

Svsto is born from the desire to connect seemingly discordant dots: dark music with queer celebration, life on the periphery with the underground culture of the Ciudad Condal (Barcelona), and activism with humor.

Endora y sus Vicios is a band from Barcelona's underground scene that blends dark after-punk and acid electro-punk under labels such as dark menstrual and nympho-romantic punk. With a John Waters-inspired aesthetic and lyrics loaded with irony about sex, mental health, and fluids, they claim pure fun as a weapon against systemic boredom. After refreshing their lineup, the group continues to play in cities like (London, Hamburg, Madrid, Bilbao, Murcia, etc...), adding festivals like Return to the Batcave or Sound Isidro to their list and sharing the stage with bands like La Banda Trapera del Río or Putilatex. Their discography includes the LPs Endora y sus Vicios (2020) and Son mis normas (2024).

With her ship anchored in bass music (UK bass, jungle, speed garage, drum & bass, breakbeat...), CAPITANA navigates between sensitivity and hardness, incorporating sounds that range from baile funk to makina.
Her sets and productions combine dark basslines, punchy drums, and luminous melodies, in a sonic universe where euphoria and introspection coexist.
Influenced both by the sounds of the 90s and 2000s and by today’s underground, she travels from one port to another carrying with her the essence of the freest raves.

Les Noies de la Oficina are proof that the best ideas are born in unnecessary meetings. Between last-minute changes, hasty decisions, and an alarming lack of supervision, they build sets where forgotten hits, electronic music, party anthems, and remixes as unlikely as they are effective coexist.
They arrive with one member temporarily OOO, but with the same organizational chaos as always. Presenting: “the meeting that could have been an email.”